2019 – Fixer / Translator: Varanasi, India – Samuel og Bestefar

Samuel og Bestefar, Sesong 2 (Samuel and Granddad, Season 2)

on location in Varanasi, Uttar Pradesh, India

Program manager and adventurer Samuel Massie has the world’s best friend in his own grandfather. Now that his grandfather is 82, Samuel wants to challenge his comfort zone and take him on a recent big adventure.

Note: when Season 2 was in production Granddad was 84.

Samuel og Bestefar in Varanasi Season 2 ep.3

Episode 3 – 42 min – published 29 January, 2020

view episode 3

Hvordan vet man at man tar de rette valgene i livet? Og hvordan påvirker karma de livsvalg man står ovenfor i livet. Samuel er nysgjerrig på dette og tar med seg bestefar til India, landet han alltid har drømt om å besøke. Samuel og Bestefar bestemmer seg også for å reise til Israel, landet hvor hans mor og far møttes på 80-tallet.

[How do you know that you are making the right choices in life? And how does karma affect the life choices one faces in life. Samuel is curious about this and brings his grandfather to India, the country he has always dreamed of visiting. Samuel and Grandpa also decide to travel to Israel, the country where his mother and father met in the 1980s.]

From making merely “good TV” to giving them a truly transformational experience..

This was my first gig working in Reality TV and since my background is in Documentary, (and more recently) producing magical experiences for groups touring India, I did my best to assure their shoot was as much “good TV” as it was personally transformational for the cast. What could have been two tourists being silly in the tiny galis of Banares, turned into a series of encounters that most of the time had me in tears watching.

Being that the shooting was taking pace during the last few days of Durga Puja, I had proposed certain activities that were initially turned down by the producer (having little knowledge about real life in India). However as the Divine Universe is a much greater planner than any of us could be, everything that I had suggested we just stumbled upon automatically.

First I had suggested they host a bandhara, a public feast offering. The producers turned this idea down. However driving down the road on the last day of Durga Puja, we past by a bandhara. I pointed it out to them out the window and they wanted to stop to check it out. I assumed they would just get invited to join in and partake in prasād,  However by the time I had gathered up the bags to join them, I saw Samuel and his grandfather serving the guests themselves! This brought tears to my eyes.

Then at some point early on in the production, Dadaji (granddad) had shared with me that his son had committed suicide when he was in his 20s, sometime in the mid ’80s. They had already expressed an interest in the burning ghats and that is why we were staying just next door. But this information took their journey to another level of potential. By their last day I had Granddad, bathing in the Ganga, putting on a white dhoti and sitting for a three hour puja to help liberate the soul of his son and ease his own pain of loss in his heart.

How I was involved:

With years of experience visiting Varanasi (countless times since December 2000) as well as being Bi-Lingual (Hindi/English) I easily assisted this production by:
• provided accommodations

• arranged travel to and from the airport as well as around town

• arranged a motorbike taxi who was willing to take both Samuel and his Grandfather on the bike, to give them a typical local transportation experience, as well as two electric rickshaws willing to coordinate, so that each camera could circle around the bike with out getting into each other’s shot.

• arranged shooting on a local train back and forth between Saranath and Varanasi, including gathering a crowd into one compartment to create the look they were going for.

• secured access to shoot in Manikarnika Ghat (famous burning ghat), which involved negotiating with local mafia types (the oldest family who runs the burning facilities and maintains the fire from which all funeral pyres get ignited).

• arranged a Tripind Akāl Mṛtyu Shrādh Puja with the oldest Purohit at Manikarnika Ghat.  [‘Tri’ means ‘three’ and ‘Pind’ means offerings (made as balls) to the departed souls (Pitru or ancestors). Tripind Shrādh is a ritual or pūja wherein the offerings are made to the ancestors of the past three (tri) generations. “Akāl” means untimely, “Mṛtyu” means death. The departed souls who had an accidental death or who died with unfulfilled desires exert their influence (pitru dosha) on their descendants in the family. This ritual aims to pacify, honor and liberate them from the pangs of material world.]

• shot behind the scenes photos.

 

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